Mercedes Marie : The story of Mary Jane Kelly
The dreadful events in Miller’s Court are only touched on at the end of
this novel. For most of the book Billy Helston concerns herself with
Mary Kelly’s life growing up in a colliery village near Wrexham and her
years as a prostitute in Cardiff, London, and Paris. On the surface it’s
a gritty tale of Victorian working class life shaped by poverty,
tragedy, and violence. But what gives this novel special resonance is
the author’s perceptive evocation of the close-knit mining communities
of north Wales and the impoverished neighbourhoods of the East End: she
delineates wonderfully the ties of love, resentment, need, and sympathy
that bind people together and the reserves of toughness and compassion
they draw on to survive. What starts out as the story of an ‘ordinary’
life in the Denbighshire hills quickly develops into something much
bigger: by delving deeply into one person’s tragedy, Mercedes Marie
illuminates broader truths about life and death.
Familiar figures jostle for space with characters not usually associated
with the Mary Kelly story, such as Charlie Hammond, the violent
landlord of the Cleveland Street brothel, and Alfred Long, the
Metropolitan police constable who strikes up an intense bond with Mary.
Helston has her own ideas about the identities of Mary Kelly and Jack
the Ripper, and at the back of the book (separate from the story) there
is a hefty appendix containing census data, newspaper reports,
explanatory notes, and other material.
The book is full of sorrow and anguish, but there is humour as well, and
bawdiness, and warmth. Even amid the brutality and the drab routine of
Mary Kelly’s life there are small triumphs and moments of joy and
surprise - a slice of Dundee cake in a Marylebone café, a dwarf in a
Paris whorehouse with a parrot on its shoulder, Welsh dragons caught in
the flue at Miller’s Court. Ripperologist NO 151 August 2016 Ripper Fiction Reviews, DAVID GREEN
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